<rss version="2.0"><channel><title>Photosynthesis News</title><link>http://www.photosynthesismag.com/p_news/$photosynthesis_news/</link><description></description><pubDate>2010-05-18T01:17:00Z</pubDate><generator>http://www.webjam.com/</generator><language>en</language><item><title>The young generation with a new vision to build Britain</title><link>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2010/05/18/the_young_generation_with_a_new_vision_to_build_britain</link><comments>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2010/05/18/the_young_generation_with_a_new_vision_to_build_britain#Comments</comments><pubDate>2010-05-18T01:17:00Z</pubDate><category>uk, architecture, britain, "new generation", "future of architecture"</category><guid isPermaLink="true">http://www.photosynthesismag.com/p_news/$photosynthesis_news/2010/05/18/the_young_generation_with_a_new_vision_to_build_britain</guid><description><![CDATA[<p>via the UK Guardian Observer</p>
<p>As Prince Charles and Richard Rogers squabble over Chelsea Barracks,  Geraldine Bedell meets a new generation of architects for whom the row  is an irrelevance as they forge a fresh approach to planning for the  21st century</p>
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<h1>The young generation with a new vision to build Britain</h1>
<p id="stand-first" class="stand-first-alone">As Prince Charles and Richard Rogers squabble over Chelsea Barracks, Geraldine Bedell meets a new generation of architects for whom the row is an irrelevance as they forge a fresh approach to planning for the 21st century</p>
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<div class="image"><img src="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2009/6/19/1245435795876/Liza-Fior-of-MUF-Architec-001.jpg" alt="Liza Fior of MUF Architects with some of her designs at her work space in Central London" width="379" height="227" />
<p class="caption">Liza Fior of MUF Architects with some of her designs at her work space in Central London. Photograph: Richard Saker</p>
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<p>For the younger generation of architects, the row between Prince Charles and Richard Rogers is a complete turn-off. It seems beside the point. Sean Griffiths of FAT (Fashion Architecture Taste, who are famous for their pop-influenced Blue House in London and their Islington Square housing development in Manchester, which has been described as "Dutch gables on steroids") says, fairly typically, that last week's spat over the Chelsea barracks site is "an outdated, irrelevant argument, like Chelsea Pensioners still fighting world war one". <a target="_blank" title="The young generation with a new vision to build Britain" href="http://www.guardian.co.uk/artanddesign/2009/jun/21/younger-generation-architects">(the complete article......)</a></p>
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</div>]]></description></item><item><title>Beyond The Echo Chamber: The Future of Journalism, Community-Building, Collaboration and Inclusion</title><link>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2010/03/13/beyond_the_echo_chamber_the_future_of_journalism_communitybuilding_collaboration_and_inclusion</link><comments>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2010/03/13/beyond_the_echo_chamber_the_future_of_journalism_communitybuilding_collaboration_and_inclusion#Comments</comments><pubDate>2010-03-13T03:40:00Z</pubDate><category>media, journalism, "san francisco", "independent media", "progressive media media alliance"</category><guid isPermaLink="true">http://www.photosynthesismag.com/p_news/$photosynthesis_news/2010/03/13/beyond_the_echo_chamber_the_future_of_journalism_communitybuilding_collaboration_and_inclusion</guid><description><![CDATA[<p><img src="http://s3.amazonaws.com/webjam-upload/echo___7b54c1172f4a498f856152acf444f0ce(700x948)__194__.jpg" height="300" title="echo.jpg" vspace="8" hspace="8" border="0" align="left" /></p>
<p><span>Thursday, March 18th 2010&nbsp;&nbsp;6:00pm<br /> San Francisco,&nbsp;CA</span><br /> <br /> <b><a href="http://www.beyondtheecho.net/" bitly="BITLY_PROCESSED">http://www.beyondtheecho.net/</a></b><br /> <br /><span>In Beyond the Echo Chamber, media experts Jessica  Clark and Tracy Van Slyke tell the story of the recent rise of  progressive media and lay out a clear, hard-hitting theory of ongoing  impact. Beyond the Echo Chamber will change the national conversation  about progressive media and the future of journalism itself.   Join Tracy Van Syke and Jessica Clark for a conversation with three  high-impact independent media producers about how social media platforms  are powering vibrant, diverse journalism experiments. On hand will be  Steve Katz, the publisher of award-winning investigative magazine Mother  Jones; Kevin Weston, the Director of New Media and Youth Communications  at ethnic news network New America Media, and Susan Mernit, editor and  publisher of community news hub Oakland Local. Learn how these pioneers  are thriving in the rapidly shifting media environment and shaping  independent journalism for the future.y.  "From he-media to we-media, Van Slyke and Clark document the shift from a  media universe dominated by a few grim men to one in which progressive  media can experiment, collaborate, report and have real impact". Laura  Flanders</span><br /> <br /> <b>Location:</b><br /> The Women's Building<br /> 3543 18th Street, Audre Lorde Room<br /> San Francisco,&nbsp;CA<br /> 94110</p>
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<p><em>Special thanks to our co-sponsors:<br /> </em><br /> Media Alliance, G.W. Williams Center for Independent Journalism, Bay  Area Video Coalition, Mother Jones, New America Media, Oakland Local</p>]]></description></item><item><title>Project Arts Centre - Aion Experiments 11am - 8pm 2.12.2010-4.12.2010</title><link>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2010/02/08/project_arts_centre__aion_experiments_11am__8pm_21220104122010</link><comments>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2010/02/08/project_arts_centre__aion_experiments_11am__8pm_21220104122010#Comments</comments><pubDate>2010-02-08T19:59:00Z</pubDate><category>"aion experiments", "project arts center"</category><guid isPermaLink="true">http://www.photosynthesismag.com/p_news/$photosynthesis_news/2010/02/08/project_arts_centre__aion_experiments_11am__8pm_21220104122010</guid><description><![CDATA[<p><a target="_blank" href="http://www.projectartscentre.ie/programme/whats-on/871-aion-experiments">from Dublin's Project Art Centre&nbsp;</a></p>
<p>It's always interesting to come across something that as a collaborative group of people strives to further the true potential of the human species. Such is the ongoing enterprise of the Aion Experiment, the first taking place in Northern Europe in the 1930's by a team of practitioners from a diverse background; physics, chemistry, psychology and sociology. One of the aims of the experiments have been to develop a greater understanding of the phenomenon of body-oriented energy.</p>
<p><a target="_blank" href="http://www.projectartscentre.ie/programme/whats-on/871-aion-experiments"><img align="center" border="0" hspace="8" vspace="8" title="projectart_web.jpg" height="200" src="http://s3.amazonaws.com/webjam-upload/projectart_web___399ad2d11f4347f5aa68399f3fd1dc34(615x312)__58__.jpg" /></a></p>
<p>The general public are invited to attend and participate in this <strong><em>Aion Experiment</em></strong> which will takes place at Dublin&rsquo;s Project Arts Centre between the 12 February and the 12 April 2010. This experiment differs greatly from some of the more intensive previous Aion Experiments in which volunteers remained under close observation for prolonged periods. Throughout the duration of this exhibition several devices will be installed in the exhibition space, which will in turn become highly charged with energy that fosters cell regeneration and cerebral stimulation. The organisers request that all members of the public who plan to attend this experiment prepare physically and mentally in advance, as the Gallery will be charged with biofield energy. The organisers also wish to notify&nbsp; visitors that effects of this Aion Experiment may only become apparent in the weeks following the event.</p>
<p>The first Aion Experiment took place in Northern Europe in the 1930s, instigated by a team of practitioners from diverse disciplines including physics, chemistry, psychology and sociology. Since its inception the Foundation has stated that one central aim unifying its diverse members and affiliates is the desire to develop a greater understanding of the phenomena of body-oriented energy. To this end, numerous experiments have been undertaken, involving countless participants. In an attempt to heighten the results of the experiments, they often take place in temporary laboratories, erected upon sites identified &ndash; at some point in history &ndash; as charged with naturally occurring biofield energy.</p>
<p><em>&hellip;at that point my colleagues and I began experiencing the first of several extreme onsets. None of us spoke at the time but discussion afterwards revealed that each of us present in the room were somehow quietly convinced that we were entering a higher level of consciousness&hellip;</em><br /><em>- participant of one of the first Aion Experiments (Aion 01B) 1943.</em></p>
<p><em><a href="http://www.photosynthesismag.com/js/tinymce/more &gt;" title="Aion Experiments - Project Art Centre" target="_blank" style="color: #323232 !important;">more &gt;</a><br /></em></p>]]></description></item><item><title>The Disposable Film Festival - March 4 - 7, 2010 San Francisco</title><link>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/12/11/the_disposable_film_festival__march_4__7_2010_san_francisco</link><comments>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/12/11/the_disposable_film_festival__march_4__7_2010_san_francisco#Comments</comments><pubDate>2009-12-11T19:34:00Z</pubDate><category></category><guid isPermaLink="true">http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/12/11/the_disposable_film_festival__march_4__7_2010_san_francisco</guid><description><![CDATA[<p><img src="http://s3.amazonaws.com/webjam-upload/dff_300___c2d05023aff848ec9a2833a2d40df474(300x300)__9__.jpg" title="DFF_300.jpg" align="left" vspace="8" width="133" border="0" height="133" hspace="8" /></p>
<p><span style="color: #000000; font-family: Helvetica; font-size: 14px; line-height: 18px; text-align: left;"><b><a target="_blank" title="Disposable Film Festival - DFF" href="http://www.disposablefilmfest.com/events/">The Disposable Film Festival</a></b> was created in 2007 to celebrate the artistic potential of disposable video: short films made on non-professional devices such as one-time use video cameras, cell phones, point and shoot cameras, webcams, computer screen capture software, and other readily available video capture devices. With people everywhere gaining access to these devices, we felt the time was right to draw attention to the creative potential of this new mode of filmmaking. Far beyond its initial roles for video blogging and documentation, the DFF offers a forum to display how disposable media can be used for creative purposes. The DFF hosts screenings, competitions, and other events to showcase the best work within the disposable genre.</span>.</p>
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</p>]]></description></item><item><title>NEA Budget to Receive $12.5 Million Boost</title><link>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/10/31/nea_budget_to_receive_125_million_boost</link><comments>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/10/31/nea_budget_to_receive_125_million_boost#Comments</comments><pubDate>2009-10-31T22:11:00Z</pubDate><category>art, "arts funding", nea, neh</category><guid isPermaLink="true">http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/10/31/nea_budget_to_receive_125_million_boost</guid><description><![CDATA[<div><span style="color: #000000;">
<div><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">On October 30th, Congress passed a $12.5 million funding increase as part of the FY 2010 Interior Appropriations bill for both the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH).&nbsp; President Obama is scheduled to sign this bill into law by October 31, which concludes <a href="http://capwiz.com/artsusa/utr/1/MIWKLNRGGT/FSKRLNRLEO/4173227941" title="National Arts and Humanities Month" target="_blank"><span style="color: #0000ff;">National Arts and Humanities Month</span></a>. The nation's two federal grantmaking cultural agencies will now each have budgets of $167.5 million,&nbsp;their highest funding levels in 16 years. As so many state and local governments have had to cut arts budgets across the country, this well-timed federal appropriations increase for the arts is a welcome infusion of funds. </span></span></div>
<div><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">&nbsp;</span></span></div>
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<p><strong><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">Enacted FY09</span></span></span></strong></p>
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<div style="text-align: center;"><span style="color: #000000;"><strong><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">FY10 Final&nbsp;Interior <br />Appropriations&nbsp;Bill&nbsp;&nbsp;</span></span></strong></span></div>
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<p><strong><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">FY09 vs. FY10 Difference</span></span></span></strong></p>
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<td style="text-align: left;"><strong><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">NEA&nbsp;</span></span></span></strong></td>
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<p style="text-align: center;"><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">$155 million</span></span></span></p>
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<p align="center"><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">$167.5 million</span></span></span></p>
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<p style="text-align: center;"><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">$12.5 million increase</span></span></span></p>
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<td><strong><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">NEH&nbsp;&nbsp;</span></span></span></strong></td>
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<p align="center"><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">$155 million</span></span></span></p>
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<p align="center"><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">$167.5 million</span></span></span></p>
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<p style="text-align: center;"><span style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">$12.5 million increase</span></span></span></p>
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<p><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">The FY 2010 Interior Appropriations bill (H.R. 2996) was passed in the House by a vote of 247&shy;&shy;-178 and in the Senate by a vote of 72-28.&nbsp; Please <a href="http://capwiz.com/artsusa/utr/1/MIWKLNRGGT/GOYRLNRLEP/4173227941" target="_blank"><span style="color: #0000ff;">play your part</span></a> and send a quick e-mail to your members of Congress at the Americans for the Arts E-Advocacy Center and let them know how much the arts will benefit from this funding increase.</span></span></p>
<div><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;"><strong>What's Next:</strong><br />While the NEA and NEH's budgets have now been finalized, many other federal programs such as the Institute of Museum and Library Services and the Corporation for Public Broadcasting are still operating under a continuing resolution until December 18, 2009.&nbsp; We will keep you posted on these legislative updates in the coming weeks.<br /><br /></span></span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">In the meantime, please save the dates of April 12-13, 2010 for National Arts Advocacy Day in Washington, DC.&nbsp; With the incredible advocacy success that we had this year that included $50 million in the federal economic stimulus bill for arts jobs and now the $12.5 million increase in NEA and NEH budgets, we need to keep building on this positive momentum. Come join us.</span></span></div>
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<div><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;">Help us also continue this important work by becoming an official member of the Arts Action Fund.&nbsp; If you are not already an official&nbsp;member,&nbsp;you can&nbsp;</span></span><a href="http://capwiz.com/artsusa/utr/1/MIWKLNRGGT/IBRGLNRLEQ/4173227941" target="_blank"><span style="color: #0000ff;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;"> join the Arts Action Fund today</span></span></span></a><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 15px;"> -- <span style="color: #000000;"><strong>it's free</strong></span> and simple.&nbsp;</span></span></div>
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</div>]]></description></item><item><title>What some Creative Directors are looking for in your portfolio</title><link>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/10/24/what_some_creative_directors_are_looking_for_in_your_portfolio</link><comments>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/10/24/what_some_creative_directors_are_looking_for_in_your_portfolio#Comments</comments><pubDate>2009-10-24T15:58:00Z</pubDate><category>design, portfolio, advertising, "graphic design"</category><guid isPermaLink="true">http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/10/24/what_some_creative_directors_are_looking_for_in_your_portfolio</guid><description><![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Times;"><span style="font-family: verdana, geneva;">Clifton Simmons, a VP at Campbell-Ewald in Warren, MI has some great insight into what creative directors (and recruiters) are looking for in your graphic design portfolio.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Times; min-height: 14.0px;"><span style="font-size: 12px;"><span style="font-family: verdana, geneva;"><br /></span></span></p>
<p style="margin: 0.0px 0.0px 12.0px 0.0px; font: 12.0px Times;"><span style="font-size: 12px;"><span style="font-family: verdana, geneva;">I recently conducted an informal, unscientific poll, on various web sites and emails, asking the question: </span></span><i><span style="font-size: 12px;"><span style="font-family: verdana, geneva;">What are some of the biggest mistakes you are seeing in candidates' portfolios?</span></span></i></p>
<p style="margin: 0.0px 0.0px 12.0px 0.0px; font: 12.0px Times;"><span style="font-size: 12px;"><span style="font-family: verdana, geneva;">Agencies want you to </span></span><i><span style="font-size: 12px;"><span style="font-family: verdana, geneva;">wow</span></span></i><span style="font-size: 12px;"><span style="font-family: verdana, geneva;"> them with just 10-12 pages. </span></span><b><span style="font-size: 12px;"><span style="font-family: verdana, geneva;">Keep it brief with your best.</span></span></b><span style="font-size: 12px;"><span style="font-family: verdana, geneva;"> So be brutal with your work when you self-edit, or the responses to your submissions may be brutal.</span></span></p>
<p style="margin: 0.0px 0.0px 12.0px 0.0px; font: 12.0px Times;"><span style="font-size: 12px;"><span style="font-family: verdana, geneva;">Don't approach every agency the same way. What interests Agency 1 (pharma) may not appeal to Agency 2 (business-to-business). That&rsquo;s why it&rsquo;s important to do your homework.</span></span></p>
<p style="margin: 0.0px 0.0px 12.0px 0.0px; font: 12.0px Times;"><a target="_blank" title="Professor Ad Man" href="http://professoradman.com/"><span style="font-size: 12px;"><span style="font-family: verdana, geneva;">(more) --&gt;</span></span></a></p>]]></description></item><item><title>Corporations can claim personal privacy interest</title><link>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/09/28/corporations_can_claim_personal_privacy_interest</link><comments>http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/09/28/corporations_can_claim_personal_privacy_interest#Comments</comments><pubDate>2009-09-28T19:16:00Z</pubDate><category>reporters, journalist, "freedom of information", "news media", "corporate rights"</category><guid isPermaLink="true">http://www.photosynthesismag.com/p_news/$photosynthesis_news/2009/09/28/corporations_can_claim_personal_privacy_interest</guid><description><![CDATA[<p>via the Reporter's Committee for Freedom of the Press</p>
<p><a title="Reporters Committee for Freedom of the Press" href="http://www.rcfp.org"><img src="http://s3.amazonaws.com/webjam-upload/rcfplogo___7ea9ddccc1bf4b61ac2c9a092ed95efc(600x100)__8__.jpg" title="rcfplogo.jpg" align="center" border="0" height="66" hspace="0" vspace="8" width="398" /></a></p>
<p>Corporations can have a "personal privacy" interest that can cause their records to be withheld from government release under a Freedom of Information Act request, a federal appellate court <a href="http://www.rcfp.org/newsitems/docs/20090925_100653_att_decision.pdf">found</a> on Sept. 22.</p>
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<p><span style="font-family: Arial;">The ruling hinged primarily on analysis of the term &ldquo;personal privacy&rdquo; within the statute. </span><span style="font-family: Arial;">At issue was FOIA&rsquo;s Exemption 7(C), the law enforcement exemption, which prevents the release of records compiled for law enforcement purposes that could be considered an unwarranted invasion of personal privacy.</span></p>
<p><span style="font-family: Arial;">The case&rsquo;s complicated history stems from a dispute</span> that arose when AT&amp;T Inc. participated in a Federal Communications Commission program that increased schools' access to advanced telecommunications technology.<span style="font-family: Arial;"> AT&amp;T reported an overcharge to the government for some of the work it completed during the program and cooperated while the FCC investigated. </span></p>
<p><span style="font-family: Arial;">The reports that resulted from the investigation became the subject of a FOIA claim when CompTel, a trade association that represents AT&amp;T competitors, requested the records from the FCC</span><span style="font-family: Arial;">. Per its policy, the FCC notified AT&amp;T of the request and gave the company a chance to respond, but rejected the company's claim that the law enforcement exemption prevented the agency from disclosing its records.</span></p>
<p><span style="font-family: Arial;"><a title="Reporter's Committee for Freedom of the Press" href="http://www.rcfp.org/newsitems/index.php?i=11042">the full story &gt;&gt;&gt;</a><br /></span></p>]]></description></item></channel></rss>