Photosynthesis News

Project Arts Centre - Aion Experiments 11am - 8pm 2.12.2010-4.12.2010

 0 Comments - Add comment Written on 08-Feb-2010 by markgould

from Dublin's Project Art Centre 

It's always interesting to come across something that as a collaborative group of people strives to further the true potential of the human species. Such is the ongoing enterprise of the Aion Experiment, the first taking place in Northern Europe in the 1930's by a team of practitioners from a diverse background; physics, chemistry, psychology and sociology. One of the aims of the experiments have been to develop a greater understanding of the phenomenon of body-oriented energy.

The general public are invited to attend and participate in this Aion Experiment which will takes place at Dublin’s Project Arts Centre between the 12 February and the 12 April 2010. This experiment differs greatly from some of the more intensive previous Aion Experiments in which volunteers remained under close observation for prolonged periods. Throughout the duration of this exhibition several devices will be installed in the exhibition space, which will in turn become highly charged with energy that fosters cell regeneration and cerebral stimulation. The organisers request that all members of the public who plan to attend this experiment prepare physically and mentally in advance, as the Gallery will be charged with biofield energy. The organisers also wish to notify  visitors that effects of this Aion Experiment may only become apparent in the weeks following the event.

The first Aion Experiment took place in Northern Europe in the 1930s, instigated by a team of practitioners from diverse disciplines including physics, chemistry, psychology and sociology. Since its inception the Foundation has stated that one central aim unifying its diverse members and affiliates is the desire to develop a greater understanding of the phenomena of body-oriented energy. To this end, numerous experiments have been undertaken, involving countless participants. In an attempt to heighten the results of the experiments, they often take place in temporary laboratories, erected upon sites identified – at some point in history – as charged with naturally occurring biofield energy.

…at that point my colleagues and I began experiencing the first of several extreme onsets. None of us spoke at the time but discussion afterwards revealed that each of us present in the room were somehow quietly convinced that we were entering a higher level of consciousness…
- participant of one of the first Aion Experiments (Aion 01B) 1943.

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The Disposable Film Festival - March 4 - 7, 2010 San Francisco

 0 Comments - Add comment Written on 11-Dec-2009 by markgould

The Disposable Film Festival was created in 2007 to celebrate the artistic potential of disposable video: short films made on non-professional devices such as one-time use video cameras, cell phones, point and shoot cameras, webcams, computer screen capture software, and other readily available video capture devices. With people everywhere gaining access to these devices, we felt the time was right to draw attention to the creative potential of this new mode of filmmaking. Far beyond its initial roles for video blogging and documentation, the DFF offers a forum to display how disposable media can be used for creative purposes. The DFF hosts screenings, competitions, and other events to showcase the best work within the disposable genre..

 

 

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NEA Budget to Receive $12.5 Million Boost

 0 Comments - Add comment Written on 31-Oct-2009 by markgould
On October 30th, Congress passed a $12.5 million funding increase as part of the FY 2010 Interior Appropriations bill for both the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH).  President Obama is scheduled to sign this bill into law by October 31, which concludes National Arts and Humanities Month. The nation's two federal grantmaking cultural agencies will now each have budgets of $167.5 million, their highest funding levels in 16 years. As so many state and local governments have had to cut arts budgets across the country, this well-timed federal appropriations increase for the arts is a welcome infusion of funds.
 
 

Enacted FY09

FY10 Final Interior
Appropriations Bill  

FY09 vs. FY10 Difference

NEA 

$155 million

$167.5 million

$12.5 million increase

NEH  

$155 million

$167.5 million

$12.5 million increase

The FY 2010 Interior Appropriations bill (H.R. 2996) was passed in the House by a vote of 247­­-178 and in the Senate by a vote of 72-28.  Please play your part and send a quick e-mail to your members of Congress at the Americans for the Arts E-Advocacy Center and let them know how much the arts will benefit from this funding increase.

What's Next:
While the NEA and NEH's budgets have now been finalized, many other federal programs such as the Institute of Museum and Library Services and the Corporation for Public Broadcasting are still operating under a continuing resolution until December 18, 2009.  We will keep you posted on these legislative updates in the coming weeks.

In the meantime, please save the dates of April 12-13, 2010 for National Arts Advocacy Day in Washington, DC.  With the incredible advocacy success that we had this year that included $50 million in the federal economic stimulus bill for arts jobs and now the $12.5 million increase in NEA and NEH budgets, we need to keep building on this positive momentum. Come join us.
 
Help us also continue this important work by becoming an official member of the Arts Action Fund.  If you are not already an official member, you can  join the Arts Action Fund today -- it's free and simple. 
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Art, Technology and Culture, edited by Mark Gould


 

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US, Philadelphia Museum of Art and Bruce Neuman Win Venice Biennale

 via The Daily Beast

brucen.jpgIf the Venice Biennale is the Olympics of the art world, then the United States has just taken home the gold. Bruce Nauman, one of the most influential living American artists, secured a Golden Lion for the States on Saturday for his work Topological Gardens. Nauman’s mixed-media work represents developments from his four-decade career, which the judges described as “iconic embodiments of human pain and fragility to pithy jabs at our frailties.”Many in the art world see Nauman as "the elder statesman of innovaton," writes Peter Dobrin of the Philadephia Inquirer, describing the artist as having shaken up the art world for decades, which indeed, he has. Critics often wonder whether what Nauman creates is actually art.

 


 

 

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